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Penguin Guide to 1000 Finest Classical Recordings - Must-Have CDs and DVDs

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201
发表于 2025-6-10 08:20 | 只看该作者 来自 亚太地区
感谢分享好版本的音乐。
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202
发表于 2025-6-10 09:23 | 只看该作者 来自 上海长宁区
joseph_li 发表于 2025-6-9 21:06
BOUGHTON, Rutland (1878–1960)
The Immortal Hour (opera: complete)
Hyp. Dyad CDD 22040 (2). Kenned ...

通过网盘分享的文件:Rutland Boughton -  The Immortal Hour
链接: https://***.com/s/125tc1O1GkTCKzB68BcFNyQ?pwd=5efc 提取码: 5efc
--来自百度网盘超级会员v7的分享

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203
发表于 2025-6-10 14:55 | 只看该作者 来自 江苏苏州
joseph_li 发表于 2025-6-5 16:01
Requiem Mass, Op. 5
Pentatone Surround Sound SACD PTC 5186 -191 (2). Dowd, Wansworth School Boys’  ...

楼主:吹毛求疵一下哈,1985版的DVD找不到,可是1965年版的CD也没有看到啊?是不是漏掉了?
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204
发表于 2025-6-10 22:04 | 只看该作者 来自 上海黄浦区
joseph_li 发表于 2025-6-9 23:30
(i) Serenades 1 in D, Op.11; (ii) 2 in A, Op.16
Warner Apex 2564 61138-2. (i) Royal Stockholm PO, A ...

楼主大佬,这套 István Kertész – The London Years能否专门传一下,万分感谢!
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205
 楼主| 发表于 2025-6-11 00:01 | 只看该作者 来自 中国
xunianfeng 发表于 2025-6-10 09:23
通过网盘分享的文件:Rutland Boughton -  The Immortal Hour
链接: https://***.com/s/125tc1O1GkTCKzB ...

感谢,
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206
 楼主| 发表于 2025-6-11 00:02 | 只看该作者 来自 中国
万物枯荣 发表于 2025-6-10 22:04
楼主大佬,这套 István Kertész – The London Years能否专门传一下,万分感谢!

通过网盘分享的文件:István Kertész - The London Years (12CD)
链接: https://***.com/s/1BC2LBSmwKVjO_LbQ7peDhQ?pwd=3377 提取码: 3377


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207
 楼主| 发表于 2025-6-11 00:10 | 只看该作者 来自 中国
本帖最后由 joseph_li 于 2025-6-11 00:14 编辑
huzuoan 发表于 2025-6-10 14:55
楼主:吹毛求疵一下哈,1985版的DVD找不到,可是1965年版的CD也没有看到啊?是不是漏掉了?

不是漏掉了,是没被推荐,所以没下载。

给个磁链:magnet:?xt=urn:btih:CFABC130A746C239FBFBD6A1ADC60771A28A95AA
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208
 楼主| 发表于 2025-6-11 00:11 | 只看该作者 来自 中国
(i) Clarinet Quintet, Op. 115; (ii) Clarinet Trio in A min.
Hyp. CDA 66107. Thea King, with (i) Gabrieli Qt; (ii) Georgian (cello), Benson (piano)

Thea King and the Gabrieli Quartet give a radiantly beautiful performance of the Clarinet Quintet, as fine as any put on record, expressive and spontaneous-sounding, with natural ebb and flow of tension as in a live performance, and the Trio is hardly less persuasive. The recording of the strings is very vivid and real.

西娅·金和加布里埃利四重奏乐团演绎的单簧管五重奏美得令人窒息,堪比任何唱片中的佳作,富有表现力,听起来自然流畅,张力起伏自然,如同现场演奏一般。三重奏的演奏同样引人入胜。弦乐的录音非常生动逼真。


String Quintets 1 in F, Op. 88; 2 in G, Op. 111
Hyp. Helios CDH 55369. Raphael Ens.

These are fine, vital performances of both works from the Raphael Ensemble. The First Quintet opens seductively, and the playing in both works is on the same level of distinction as their accounts of the String Sextets and, like that companion Hyperion disc, the recording is very present indeed.

拉斐尔乐团对这两部作品的演绎精彩绝伦,活力四射。第一五重奏开场引人入胜,两部作品的演奏与弦乐六重奏的演绎同样精彩绝伦,而且,如同配套的《Hyperion》唱片一样,录音效果非常逼真。


String Sextets 1 in B flat, Op. 18; 2 in G, Op. 36
Hyp CDA 66276. Raphael Ens.

The Sextets are among Brahms’s most appealing chamber works, and the Raphael Ensemble are fully responsive to their vitality and warmth. In short these are superb performances, and the recording is very vivid and immediate.

《六重奏》是勃拉姆斯最引人入胜的室内乐作品之一,拉斐尔室内乐团充分展现了这些作品的活力与温暖。总而言之,这是一场精彩绝伦的演出,录音也非常生动、直接。
(源于Google翻译)


https://115cdn.com/s/swwqjkd3hq9?password=3377&#
Brahms - Clarinet Quintet; Clarinet Trio - Thea King, Gabrieli String Quartet, Georgian, Benson [Hyperion]等3个文件(夹)
第二个弦乐五重奏单碟没找到,但是找到了一个室内乐大合集,第一和第三张都包括在内了。
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209
 楼主| 发表于 2025-6-11 00:13 | 只看该作者 来自 中国
(i–iii) Horn Trio in E flat; (ii–iii) Violin Sonata 1, Op. 78; (iii)7 Fantasias, Op. 116
HM HMC 90 1981. (i) Van der Zwart; (ii) Faust; (iii) Melnikov

Brahms specifically wrote his warmly romantic Horn Trio for the natural Waldhorn, without valves, and here we have an inspired performance in which Teunis van der Zwart uses such a natural horn. This means that he has to ‘stop’ the notes which are not natural harmonics by putting his right hand firmly inside in the instrument’s bell to make them sound in tune; it also alters their timbre. This is a unique performance and the result is a triumph, with ‘stopped’ notes adding to the range of colour, as the composer intended. Isabelle Faust and Alexander Melnikov make fine partners and the lovely Violin Sonata is also played with much warmth.

勃拉姆斯专门为自然圆号(无活塞)创作了他温暖浪漫的圆号三重奏,而此次演奏中,特尼斯·范德兹瓦特(Teunis van der Zwart)运用了这种自然圆号,为我们带来了一场精彩绝伦的演奏。这意味着他必须用右手牢牢地按住圆号的喇叭口,才能“停止”那些非自然泛音的音符,使其音准一致;这同时也改变了它们的音色。这场演奏独具匠心,最终取得了圆满成功,“停止”的音符增添了乐曲的色彩,正如作曲家所期望的那样。伊莎贝尔·福斯特(Isabelle Faust)和亚历山大·梅尔尼科夫(Alexander Melnikov)是绝佳的搭档,优美的小提琴奏鸣曲也演奏得温暖动听。

Piano Quintet in F min., Op. 34
Virgin 3 951413-2. Andsnes, Artemis Qt (with SCHUMANN: Piano Quintet)

The Brahms and Schumann Piano Quintets are both passionately romantic works in which the piano often leads the ensemble strongly. They make a perfect coupling. Andsnes, whose playing is full of personality, and the Artemis Quartet, who have a fine presence, give a magisterial account of the Brahms and are no less compelling in the Schumann. The recording is natural and vivid, and this pairing is unlikely to be surpassed.

勃拉姆斯和舒曼的钢琴五重奏都是充满激情的浪漫主义作品,钢琴常常在作品中强势引领合奏。他们的合作堪称天作之合。安兹涅斯的演奏充满个性,而阿尔特弥斯四重奏则拥有精湛的演奏技艺,他们对勃拉姆斯作品的诠释堪称权威,舒曼作品的演绎也同样引人入胜。录音自然生动,这样的合作难以超越。
(源于Google翻译)

https://115cdn.com/s/swwqjda3hq9?password=3377&#
Brahms & Schumann - Piano Quintets - Lief Ove Andsnes, Artemis Quartet [Virgin]等2个文件(夹)
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210
 楼主| 发表于 2025-6-11 00:16 | 只看该作者 来自 中国
Violin Sonatas 1, Op. 78; 2, Op. 100; 3, Op. 108
Sony 88697 623842. Liebeck, Apekisheva

Many discs offer the three Brahms Violin Sonatas as an ideal coupling, but few are as satisfying as this Sony issue, with the prize-winning British virtuoso, Jack Liebeck, joined in a remarkable partnership with the Russian pianist, Katya Apekisheva. Where other virtuoso violinists sometimes tend to regard their pianist merely as an accompanist, this young duo work as equals, each responding to the other in performances that consistently sound spontaneous.

They also bring out the subtle contrasts between the three works. In No. 1 the lyrical warmth of the first movement is set against the deeply meditative quality of the slow movement, leading on to the finale, which is played with almost Mendelssohnian lightness. The compact structure of No.2 suits them equally well, with the first movement bringing the subtlest contrasts of tone from Liebeck, down to a hushed pianissimo. The brief, wistfully lyrical slow movement leads to a warm, strong account of the finale with its main ‘travelling’ theme. The dramatic strength of No. 3 with its minor-key intensity brings another contrast, with Liebeck again finding the widest tonal range in lightness and agility set against power. The dedicated account of the slow movement leads to big, dramatic contrasts in the finale. It is remarkable that each of the players brings such expressive depth to their performances, with echo sequences never played mechanically. Excellent, well-balanced sound.

许多唱片都把勃拉姆斯的三首小提琴奏鸣曲作为理想的配乐,但很少有像这张索尼唱片一样令人满意的,这张唱片由屡获殊荣的英国演奏家杰克·利贝克与俄罗斯钢琴家卡佳·阿佩基舍娃组成了非凡的搭档。其他小提琴演奏家有时往往将钢琴家仅仅视为伴奏者,而这对年轻的二人组则平等合作,在始终如一的即兴演奏中相互呼应。

他们也展现了三部作品之间微妙的对比。在第一首中,第一乐章的抒情温暖与慢乐章的深沉冥想形成鲜明对比,并一直延续到终乐章,其演奏风格近乎门德尔松式的轻盈。第二首紧凑的结构也同样契合他们的风格,第一乐章将利贝克最微妙的音色对比带到了极弱的极弱音。简短而充满渴望的抒情慢乐章,将终曲温暖而强劲地演绎为“旅行”主题。第三乐章的戏剧性力量与其小调的强度形成了另一种对比,利贝克再次在轻盈灵动与力量的对比中找到了最宽广的音域。慢乐章的专注演绎,在终曲中形成了巨大的戏剧性对比。令人瞩目的是,每位演奏家都为自己的演奏注入了如此富有表现力的深度,回声序列从未机械地演奏。音色出色,平衡。
(源于Google翻译)


https://115cdn.com/s/swwqjmr3hq9?password=3377&#
Brahms -Complete Violin Sonatas - Jack Liebeck, Katya Apekisheva [Sony]
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211
 楼主| 发表于 2025-6-11 00:17 | 只看该作者 来自 中国
Piano Music (i) for four hands: 21 Hungarian Dances (original version); (ii) 16 Waltzes, Op. 39. Solo Piano: 4 Ballades, Op. 10; 7 Fantasias, Op. 116; 3 Intermezzi, Op. 117; 6 Pieces, Op. 118; 4 Pieces, Op. 119; 2 Rhapsodies, Op. 79; Sonata 3 in F min., Op. 5; 16 Waltzes, Op. 39; Variations and Fugue on a Theme by Handel, Op. 24; Variations on a theme by Schumann, Op. 9
image Regis/Vox CD5X 3612-2 (5). Walter Klien; with (i) Brendel; (ii) Beatriz Klien

Walter Klien’s recordings derive from the Vox catalogue in the early days of stereo LP. They are very distinguished and this collection makes an admirable way to explore Brahms’s most familiar and rewarding piano repertoire. Klien’s performance of the F minor Sonata is unsurpassed, with all the spontaneous buoyancy of youth. He is equally at home in the classicism of the Handel Variations and the romanticism of Brahms/Schumann, while his natural sensitivity in the shorter Pieces and Intermezzi is magical. Alfred Brendel, also early in his career when he was still a Vox recording artist, joins him very successfully for the piano-duo original version of the Hungarian Dances and the latter are infectiously jolly. Beatriz Klien is a hardly less successful partner in the Waltzes. Fortunately the Vox engineers were at their best, and the piano tone is fully convincing. However, this set may be difficult to get.

沃尔特·克莱恩的录音源自立体声LP唱片早期Vox唱片目录。这些录音非常出色,这张合集为探索勃拉姆斯最为人熟知和珍藏的钢琴曲目提供了一个绝佳的途径。克莱恩对F小调奏鸣曲的演绎无与伦比,洋溢着青春洋溢的自然活力。他对亨德尔变奏曲的古典主义风格和勃拉姆斯/舒曼的浪漫主义风格都驾轻就熟,而他在短篇作品和间奏曲中展现的自然敏感更是令人着迷。同样在职业生涯早期,当时还是Vox唱片公司的录音艺术家的阿尔弗雷德·布伦德尔与克莱恩合作录制了钢琴二重奏版的匈牙利舞曲,非常成功,后者欢快活泼,极具感染力。贝娅特丽丝·克莱恩在圆舞曲的合作中也同样出色。幸运的是,Vox的录音师们状态极佳,钢琴的音色令人信服。然而,这套唱片可能很难买到。
(源于Google翻译)

https://115cdn.com/s/swwqj573hq9?password=3377&#
Brahms - Walter Klien plays Brahms [VOX]
这套里的匈牙利舞曲和华尔兹评为企鹅四星带花
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212
 楼主| 发表于 2025-6-11 00:19 | 只看该作者 来自 中国
Variations and Fugue on a Theme by Handel, Op. 24; 6 Pieces, Op. 118; 4 Pieces, Op. 119; 2 Rhapsodies, Op. 79
Sony 8869 772725-2. Murray Perahia

Murray Perahia’s 2010 Brahms collection, recorded in Berlin, is one of his finest CDs yet. The set of Handel Variations is both elegant and totally authoritative, and the pair of passionate Rhapsodies and two infinitely varied sets of Pieces, Opp. 118 and 119, are equally compelling. Published in the year of the composer’s sixtieth birthday, they were the last of Brahms’s solo piano music. Excellent, vivid recording makes this an indispensable example of Perahia’s special identification with the composer.

默里·佩拉西亚2010年在柏林录制的勃拉姆斯作品集是他迄今为止最优秀的CD之一。其中的亨德尔变奏曲集优雅而权威,两首充满激情的狂想曲以及两套变化无穷的乐曲(作品118和119)也同样引人入胜。这两首作品出版于作曲家六十岁生日那年,是勃拉姆斯最后的钢琴独奏作品。这张专辑录音精美生动,是佩拉西亚与这位作曲家之间特殊情感交流的不可或缺的例证。
(源于Google翻译)

https://115cdn.com/s/swwqj9t3hq9?password=3377&#
Brahms - Handel Variations, Rhapsodies, Piano Pieces - Murray Perahia [Sony 24-96]
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213
 楼主| 发表于 2025-6-11 00:20 | 只看该作者 来自 中国
Liebeslieder Waltzes, Op. 52; New Liebeslieder Waltzes Op. 65; 3 Quartets, Op. 64
DG 477 8619. Mathis, Fassbaender, Schreier, Fischer-Dieskau, with Wolfgang Sawallisch or Karl Engel (piano)

Brahms is reputed to have written on the score of Johann Strauss’s Blue Danube, ‘Unfortunately not written by me’, but he was a dab hand at writing seductive waltz sequences for voices, as these Liebeslieder Waltzes show. They are surprisingly difficult for the singers, but one would never guess this from the beguiling performances here, with the voices of these four celebrated soloists blending enchantingly, and given admirably lilting backing by the two celebrated pianists in turn. The remastered CD (from 1983) has fine realism and presence.

据说勃拉姆斯曾在约翰·施特劳斯《蓝色多瑙河》的乐谱上写下“可惜并非我所作”,但他也是一位为人声谱写动人圆舞曲的能手,正如这些《爱之歌圆舞曲》所展现的那样。这些圆舞曲对歌手来说难度出奇地高,但从这张迷人的演出中,你绝对想不到这一点。四位著名独唱家的歌声交织成迷人的旋律,两位著名钢琴家则轮流为其伴奏,轻快悦耳。这张1983年的重制CD拥有出色的真实感和临场感。
(源于Google翻译)

https://115cdn.com/s/swwqjxw3hq9?password=3377&#
Brahms - Liebeslieder-Walzer Op.52 & OP.65 - Mathis, Fassbaender, Schreier, Fischer-Dieskau, Sawallisch & Engel [DG]
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214
 楼主| 发表于 2025-6-11 00:21 | 只看该作者 来自 中国
German Requiem, Op. 45
DG DVD 073 4398. Janowitz, Van Dam, V. Singverein, VPO, Karajan

Karajan’s DVD of the German Requiem, recorded live at the 1978 Salzburg Festival, is another of his unsurpassed recordings – of a work that he clearly loved greatly. He may keep his eyes closed, but his conducting is very physical and the cameras reveal him as deeply impassioned. His two soloists are first rate: Gundula Janowitz sings gloriously, matched by José van Dam’s full tone and sense of drama. The arresting timpani in Denn alles Fleisch, es ist wie Gras shows that this is to be a performance of both fervour and fully revealed detail. The huge chorus visually creates a magnificent backcloth; their singing is increasingly rich and powerful and the closing section very moving.

EMI have also reissued Klemperer’s measured and monumental Philharmonia recording (with Schwarzkopf and Fischer-Dieskau) in their bargain ‘Masters’ series. With dynamic contrasts underlined and superb singing from chorus and soloists alike, the result is uniquely powerful and can certainly be considered by Klemperer addicts (EMI 9 65925-2).

卡拉扬的《德意志安魂曲》DVD,录制于1978年萨尔茨堡音乐节现场,是他又一次无与伦比的录音——这部作品显然深受他喜爱。他或许闭着眼睛,但他的指挥却极具肢体语言,镜头展现出他饱含深情的激情。他的两位独奏家堪称一流:贡杜拉·雅诺维茨的演唱精彩绝伦,与何塞·范·达姆饱满的音色和戏剧感相得益彰。《Denn alles Fleisch, es ist wie Gras》中引人入胜的定音鼓演奏,表明这将是一场充满激情、细节淋漓尽致的演出。庞大的合唱团在视觉上营造出壮丽的背景;他们的演唱愈发饱满有力,结尾部分更是感人至深。

EMI唱片公司也在其“大师”系列中重新发行了克伦佩勒与施瓦茨科普夫和菲舍尔-迪斯考合作的、节奏舒缓、气势恢宏的爱乐乐团录音。凭借着动态对比和合唱团与独唱团的精彩演唱,其效果独特而有力,绝对值得克伦佩勒爱好者考虑(EMI 9 65925-2)。

(源于Google翻译)

DVD:
https://115cdn.com/s/swwqjxp3hq9?password=3377&#
Brahms - Ein deutsches Requiem - Karajan, BPO; Janowitz, van Dam [DG DVD9]

CD:
https://115cdn.com/s/swwqjxr3hq9?password=3377&#
Brahms - Ein deutsches Requiem - Klemperer, PO; Schwarzkopf, Fischer-Dieskau [EMI]等2个文件(夹)

到这勃拉姆斯算是发完了。
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215
发表于 2025-6-11 09:04 | 只看该作者 来自 江苏苏州
joseph_li 发表于 2025-6-11 00:10
不是漏掉了,是没被推荐,所以没下载。

给个磁链:magnet:?xt=urn:btih:CFABC130A746C239FBFBD6A1ADC6 ...

哦,明白了,谢谢!
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216
发表于 2025-6-11 13:15 | 只看该作者 来自 台湾
本帖最后由 lovewet3388 于 2025-6-11 13:17 编辑

弄错了,自删。。。
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217
发表于 2025-6-11 13:19 | 只看该作者 来自 台湾
xunianfeng 发表于 2025-5-31 09:44
通过网盘分享的文件:Bach, C.P.E. -  Hamburg Sinfonias Nos. 1 - 6, Wq. 182
链接: https://***.com/s ...

来晚了,请再次分享,谢谢
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218
发表于 2025-6-11 13:22 | 只看该作者 来自 台湾
xunianfeng 发表于 2025-6-1 09:13
通过网盘分享的文件:Bach -  Two-Part Inventions & Sinfonias and Other Keyboard Works
链接: https: ...

这个也请再次分享
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219
发表于 2025-6-12 08:37 | 只看该作者 来自 台湾
xunianfeng 发表于 2025-6-1 09:13
通过网盘分享的文件:Bach -  Two-Part Inventions & Sinfonias and Other Keyboard Works
链接: https: ...

来晚了,请再次分享,谢谢
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220
发表于 2025-6-12 11:10 | 只看该作者 来自 安徽阜阳
感谢楼主的辛苦工作,希望楼主再接再厉。
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