Penguin Guide to 1000 Finest Classical Recordings - Must-Have CDs and DVDs

joseph_li

COPLAND, Aaron (1900–1990)
(i) Appalachian Spring Billy the Kid (complete ballets); (ii) Dance Symphony; (iii) Danzón Cubano; El salón México; (ii) Fanfare for the Common Man; The Red Pony (Suite); (i) Rodeo (complete ballet)
EMI Gemini 3 81498-2 (2). (i) St Louis SO, Slatkin; (ii) Mexico City PO, Bátiz; (iii) Dallas SO, Mata

Copland wrote some of the most attractive of all American music, and this excellent bargain CD shows his amazing diversity, from the striking Fanfare for the Common Man to the colourful ballets, orchestral and film music. Slatkin’s was the first complete recording of Billy the Kid. The complete Rodeo consists essentially of the usual four colourful movements, though here a piano interlude is included. Both are given first-rate performances and the sound is superb. Appalachian Spring is also complete and full of atmosphere. Altogether a remarkable triptych. Bátiz’s orchestra doesn’t have the technical excellence of Slatkin’s but he is a lively and persuasive interpreter of Copland. The Dance Symphony is well done, though the ensemble is not as precise as it could be. The Red Pony, a colourful and nostalgic score for Lewis Milestone’s memorable film, is among the most endearing lighter scores that Copland wrote and is very enjoyable. Mata’s Dallas performances of Danzón Cubano and El salón México are as good as any – brilliant playing in demonstration sound. In every sense this set is a terrific bargain.

科普兰创作了一些最具魅力的美国音乐作品，这张物美价廉的CD展现了他惊人的多样性，从令人震撼的《平民号角》到色彩缤纷的芭蕾舞剧、管弦乐和电影配乐，无不体现着他的才华。斯拉特金的CD是《比利小子》的首张完整录音。完整的《牛仔竞技》基本上由惯常的四个色彩缤纷的乐章组成，尽管其中加入了一段钢琴间奏。这两部作品都演绎得一流，音效也堪称一流。《阿巴拉契亚之春》同样完整，氛围浓厚。总而言之，这是一幅非凡的三联画。巴蒂兹的管弦乐队在技术上不如斯拉特金精湛，但他对科普兰作品的诠释生动活泼，令人信服。《舞曲交响曲》制作精良，尽管整体配合略显不足。《红色小马》是为刘易斯·迈尔斯通那部令人难忘的电影创作的，色彩缤纷、充满怀旧气息的配乐，是科普兰创作的最令人喜爱的轻音乐之一，令人赏心悦目。 Mata 在达拉斯的《古巴舞曲》（Danzón Cubano）和《墨西哥沙龙》（El salón México）演出堪称一流——示范音色精彩绝伦。从各方面来看，这套设备都物超所值。

(i) Clarinet Concerto. Dance Panels; Music for the Theater; Quiet City
EMI 2 34439-2. NY Chamber Symphony, Schwarz, (i) with David Shifrin

David Shifrin’s account of the Clarinet Concerto is among the best, the opening radiant in timbre and showing a natural fluency of phrasing, the later jazzy elements also well caught. What makes this collection especially attractive, apart from the beautifully played and evocative account of Quiet City, is the inclusion of the rare Dance Panels. Those who enjoy Appalachian Spring will surely respond to this inspired and diverse score, which typically moves with great ease from lyric tonal painting to jazzy dance rhythms. The Music for the Theater has comparable contrasts, The performances are of a high standard and the recording is vivid and with a particularly attractive ambience. Now offered at mid-price.

大卫·希弗林的单簧管协奏曲演绎堪称一流，开头音色明亮，乐句流畅自然，后期的爵士乐元素也把握得恰到好处。除了演奏优美、令人回味的《寂静之城》之外，这张合集的亮点在于其罕见的舞曲片段。喜欢《阿巴拉契亚之春》的乐迷一定会对这首充满灵感、风格多样的乐曲产生共鸣，它通常能轻松地从抒情的音调过渡到爵士舞曲的节奏。《剧院音乐》也拥有类似的对比，演出水准高，录音生动逼真，营造出格外迷人的氛围。现以中等价位出售。
（源于Google翻译）


https://115cdn.com/s/swwouug3hq9?password=3377&#
Copland, Aaron etc. - Imaginary Landscapes - Sounds of America [EMI 20CD]
《梦想之地——美国之声》大包的第9-11张

joseph_li

忘记了刷新屏幕，结果就出了配图错误，而且越改越乱，我一直没搞明白其原理，大家将就一下吧。这张是第299楼的配图。

很不牛的俺

武陵渔家 发表于 2025-6-20 06:09
说起违规，讲个笑话。两天前突然发现我的五盘一个文件夹下有红字提示“文件含违规内容”，这个文件夹内全 ...

kui gao...kao

joseph_li

CORIGLIANO, John (born 1938)
(i) The Red Violin Concerto; (ii) Violin Sonata
Sony/BMG 82876 88060-2. Bell, with (i) Baltimore SO, Alsop; (ii) Jeremy Denk

John Corigliano wrote the film score for The Red Violin (about a violin travelling through three centuries) and he had Joshua Bell as the ‘voice’ of the violin. He decided to transform the Chaconne of the film score, first into a concert piece for violin and orchestra, then later to expand it into a full-length concerto by adding a wild pianissimo Scherzo, with the soloist playing ‘high, ethereal and dance-like’. A lyrical Andante flautando follows, with the soloist joining in a duet with the orchestra flute. The finale is ‘a rollicking race in which the opposed forces of soloist and orchestra vie with each other’ against extraneous non-musical sounds. There is a melancholy lyrical counterpart, before the Chaconne returns to complete the work. It is an unpredictable but fascinating work, and it could surely not be presented more excitingly than by Joshua Bell, with Marin Alsop and the excellent Baltimore orchestra. The recording is extremely vivid. The Violin Sonata, written much earlier (in 1962/3), is even more unpredictable, rhythmic patterns constantly changing, with two central slow movements framed by outer Allegros. The performance here is again surely definitive.

约翰·科里利亚诺为电影《红色小提琴》（讲述一把穿越三个世纪的小提琴）创作了电影配乐，并邀请约夏·贝尔担任小提琴的“代言人”。他决定将电影配乐中的恰空舞曲改编成一首小提琴与管弦乐队的音乐会作品，之后又通过添加一段狂野的弱谐谑曲，将其扩展为一首完整的协奏曲，独奏者演奏“高亢、空灵、舞曲般的”乐曲。接下来是一段抒情的行板长笛，独奏者与管弦乐队的长笛二重奏。终曲是一场“欢快的竞赛，独奏者和管弦乐队的力量相互竞争”，对抗着无关紧要的非音乐性声音。在恰空舞曲回归，为作品画上圆满句号之前，还有一段忧郁的抒情段落。这是一部出人意料却又引人入胜的作品，约夏·贝尔与马林·阿尔索普以及优秀的巴尔的摩管弦乐团合作，演绎得淋漓尽致。录音极其生动。这首创作于更早（1962/1963年）的小提琴奏鸣曲更加难以预测，节奏模式不断变化，两个中心慢乐章由外层快板构成。这首奏鸣曲的演奏无疑再次令人叹为观止。（源于Google翻译）


https://115cdn.com/s/sww733w3hq9?password=3377&#
Corigliano, John - Red Violin Concerto, Violin Sonata - Joshua Bell, Jeremy Denk, Alsop, Baltimore SO [Sony]

分享一张Joshua Bell的梁祝，这张碟上还有流浪者之歌。
Butterfly Lovers - Joshua Bell, Singapore Chinese Orchestra, Tsung Yeh [Sony 2023]
链接: https://***.com/s/12mHuiRi7wXehKZw7Mcyp9Q?pwd=3377 提取码: 3377

joseph_li

CORRETTE, Michel (1707–95)
Laudate Dominum (Psalm 148)
Warner Apex 2564 60155-2. Alliot-Lugaz, Oudot, Lyon Vocal & Instrumental Ens., Cornut – MONDONVILLE: Dominus Regnavit, etc.

We have a little gem here: Corrette’s Laudate Dominum, based on the Spring movement of Vivaldi’s Four Seasons, is an indication of how popular the Four Seasons remained in the years after his death, before it disappeared into obscurity. Corrette’s work dates from 1768, and Vivaldi’s music is treated to some especially felicitous writing (the adagio is hauntingly beautiful). As the sleeve-note writer says, the work is full of Italianate freshness, with plenty of virtuosic passages for flute, violins and voice. It is quite captivating and for most collectors will be a real find. Excellent performances and good (1975) sound.

While introducing the little-known music of Corrette, readers are also pointed to his delightful Organ Concertos, Op. 26/1–6, performed by René Saorgin and the Nice Baroque Ensemble directed by Gilbert Bezzina (HM HMA 195 5148), which is another favourite discovery of ours. These lively and amiable concertos are given admirably buoyant performances, splendidly recorded using period instruments. The orchestral detail is well observed, and Saorgin plays vividly on an attractive organ of the period. Michel Corrette’s invention has genuine spontaneity, and this makes an enjoyable collection to dip into. Not ‘great’ music perhaps, but attractively spirited – one does not want to eat caviar every day.

我们这里有一颗小宝石：科雷特的《赞美主》，以维瓦尔第《四季》的春季乐章为基础，展现了《四季》在他去世后直至销声匿迹的岁月中依然广受欢迎。科雷特的作品创作于1768年，维瓦尔第的音乐中有一些特别巧妙的乐谱（慢板优美得令人难以忘怀）。正如唱片封套上的作者所说，这部作品充满了意大利风格的清新气息，其中有大量长笛、小提琴和人声的精湛乐段。它引人入胜，对大多数收藏家来说都是一笔真正的财富。演奏精彩，音色优美（1975年）。

在介绍科雷特鲜为人知的音乐的同时，也向读者推荐了他令人愉悦的管风琴协奏曲Op. 26/1–6，由勒内·索尔金（René Saorgin）和尼斯巴洛克乐团（Nice Baroque Ensemble）演奏，指挥为吉尔伯特·贝齐纳（Gilbert Bezzina）（HM HMA 195 5148），这也是我们另一个心仪的发现。这些活泼亲切的协奏曲演奏得令人赞叹，充满活力，并使用古乐器进行了精彩的录制。管弦乐的细节刻画得非常到位，索尔金则用当时精美的管风琴演奏得惟妙惟肖。米歇尔·科雷特（Michel Corrette）的创作充满着真正的即兴发挥，这使得这张专辑值得细细品味。或许算不上“伟大”的音乐，但却充满着令人愉悦的活力——让人不想每天都吃鱼子酱。（源于Google翻译）


https://115cdn.com/s/sww73ww3hq9?password=3377&#
Corrette, Michel - Laudate Dominum &  Mondonville - Dominus Regnavit etc. - Guy Cornut & Paillard [Erato]等2个文件(夹)

joseph_li

昨晚十点多打算更帖，结果发现网站打不开，出现一个提示界面，大意是没注册或有违规内容，今天早上9点多还是这样的情况。只有我是这样吗？

ddd123ddd456

joseph_li 发表于 2025-6-21 19:43
昨晚十点多打算更帖，结果发现网站打不开，出现一个提示界面，大意是没注册或有违规内容，今天早上9点多还 ...

都是这样，好像是网站服务器问题，说什么好像是有什么图片没通过ai审核

joseph_li

CORELLI, Arcangelo (1653–1713)
Concerti grossi, Op. 6/1, 3, 8, 9, 10, 11 & 12; Sonata a Quattro for Trumpet & Strings in D; Violin Sonata (for violin and harpsichord) in D min. (La Follia), Op. 5/12
Medici Arts DVD 207 2288. Sol. Ven., Scimone

Corelli is credited with inventing the concerto grosso format, with its concertino solo group contrasting with the main ripieno string ensemble – made famous later by Handel. This is not entirely true, but it was Corelli who surely developed and refined the form and who influenced many composers of his generation. The present works from Opus 6, dating from 1711/12, are among his most inspired, consistently inventive, melodic and stimulating, often with very beautiful and refined writing for the solo group. They are played here with great warmth and finesse by Claudio Scimone and his Venetian group, beautifully recorded (in 1986), and the performances evocatively photographed in the Basilica of San Marco in Rome. As a bonus we are given a miniature Sonata for Trumpet and Strings (with Guy Touvron the excellent soloist) and a superb account of Corelli’s Violin Sonata, based on the famous Portuguese melody, La Follia, quite the best of the many settings of this famous tune.

科雷利被誉为大协奏曲（concerto grosso）形式的创始人，其协奏曲独奏组与后来因亨德尔而声名鹊起的弦乐重奏组形成鲜明对比。这并非完全正确，但科雷利无疑发展并完善了这种形式，并影响了他那一代的许多作曲家。本作品选自作品6，创作于1711/12年，是他最具灵感、始终富有创造力、旋律优美、令人振奋的作品之一，独奏组的谱写也往往非常优美精炼。克劳迪奥·西莫内和他的威尼斯乐团在此演奏了这些作品，演奏充满温暖和细腻，并于1986年进行了精美的录音，演出在罗马圣马可大教堂拍摄的照片也令人回味无穷。作为奖励，我们还获得了一首小号与弦乐的小型奏鸣曲（由出色的独奏者 Guy Touvron 演奏）和一首科雷利小提琴奏鸣曲的精彩演绎，该奏鸣曲取材于著名的葡萄牙旋律《La Follia》，是这首著名曲调的众多设置中最好的。
（源于Google翻译）

https://115cdn.com/s/sww73343hq9?password=3377&#
Corelli, Arcangelo - Concerti grossi, Sonata a 4, La Folia - Claudio Scimone, I Solisti Veneti [DVD9]

加颗小彩蛋。与亨德尔的大协奏曲相比，版本少了很多。
链接:https://pan.baidu.com/s/1XuT_l8yZAcHybfagEAh6FA?pwd=3377

joseph_li

科雷利 （Arcangelo Corelli (1653–1713)）大协奏曲被卡审核，第一次不通过被删，第二次不知道能不能过。

很不牛的俺

joseph_li 发表于 2025-6-21 20:44
科雷利 （Arcangelo Corelli (1653–1713)）大协奏曲被卡审核，第一次不通过被删，第二次不知道能不能过。

楼主辛苦了~~十来天没有来了，爬楼中

joseph_li

很不牛的俺 发表于 2025-6-21 21:20
楼主辛苦了~~十来天没有来了，爬楼中

牛哥好啊，

很不牛的俺

joseph_li 发表于 2025-6-21 21:24
牛哥好啊，

joseph_li

COUPERIN, François (1668–1733)
(i) Apothéose de Lully; (ii) Les Nations: Premier ordre: ‘La Françoise’; Deuxième ordre: ‘L’Espagnole’
Australian Decca Eloquence (ADD) 480 2372. (i) ECO, Leppard; (ii) Jacobean Ens., Dart

A splendid reissue, made at the very beginning of the awareness of authentic-performance practice. Apothéose de Lully is a piece of pure programme music – Couperin’s homage to the great French composer – and it contains some remarkably inventive writing. The scurrying strings which begin No. 5 (track 2) are especially memorable, but the quirky string writing which follows is hardly less so. The orchestration is the work of Raymond Leppard, who directs some alert and stylish playing from the keyboard: the English Chamber Orchestra respond excellently and the 1966 recording is quite superlative in its range and clarity of definition. Thurston Dart was another pioneer in the ‘authentic’-movement practice, and his version of Les Nations dates from 1962. If, from today’s point of view, the style inevitably sounds a little dated, it is endearingly so, for the music contains some of Couperin’s most imaginative writing. The sound is forward but warm and vivid.

这套精湛的复刻版诞生于本真演奏实践理念萌芽之初。《吕利赞歌》堪称纯正的标题音乐——库普兰向这位法国伟大作曲家的致敬之作，其中蕴含惊人的创造性笔法。第五乐章（第二音轨）伊始弦乐疾走的乐段尤令人难忘，随后奇崛的弦乐编排同样精彩。配器工作由雷蒙德·莱帕德完成，他通过羽管键琴指挥出机敏而典雅的演奏：英国室内乐团展现出卓越的默契，1966年的录音在动态范围与声部清晰度上均臻至境。瑟斯顿·达特同样是本真演奏运动的先驱，他1962年录制的《民族曲集》版本如今听来虽难免带有时代印记，却因库普兰笔下这些最具想象力的旋律而显得格外亲切。音效呈现直接而温暖，洋溢着生动的质感。

Harpsichord Suites, Books 1–4: excerpts
Hyp. CDA 67440; CDA 67480; CDA 67520. Angela Hewitt (piano)

Having had great success with Bach’s keyboard music, Angela Hewitt now turns to Couperin and in these three discs she chooses music that she feels is best suited to the piano. Her ornamentation is both crisply decorative and flexible and always inherent in the music’s forward flow. CDA 67520 includes excerpts from Books I and II but centres on Book 3 (Ordres 13 and 14), and it includes Les Folies françoises, a miniature theme and variations on the famous La Follia, with each variation depicting a different character arriving at a masked ball in an invisible cloak. CDA 67440 continues Books 2 (Ordres 6 and 8) & 3 (Ordre 18). CDA 67480 is even more enticing in offering Ordres 21 and 24–27, with all the pieces having intriguing titles, many of them enigmatic; but the music itself is most engaging. With excellent documentation, every one of these discs can be enjoyed for the freshness of the music and performances.

在巴赫键盘乐作品大获成功之后，安吉拉·休伊特将目光转向了库普兰。在这三张唱片中，她精心挑选了最适合钢琴演绎的曲目。她的装饰音处理既 crisp（清脆利落）又富有弹性，始终与音乐的流动浑然一体。CDA 67520 收录了库普兰第一、第二卷的部分作品，但以第三卷（第13、14组曲）为核心，其中包含《法兰西狂想曲》——这首以著名《La Follia》旋律为主题的微型变奏曲，每个变奏都描绘了身披隐形斗篷参加假面舞会的不同人物形象。CDA 67440 延续了第二卷（第6、8组曲）和第三卷（第18组曲）的精彩呈现。CDA 67480 则更为迷人，收录了第21、24-27组曲，所有作品都配有引人遐想的标题（许多充满神秘色彩），而音乐本身更是令人沉醉。这些唱片不仅附有详尽的解说资料，每张都能让听众感受到音乐与演绎中扑面而来的清新气息。
（源于DeepSeek翻译）


https://115cdn.com/s/sww7b2q3hq9?password=3377&#
Bach J.S. - Angela Hewitt Plays Bach [Hyperion]等3个文件(夹)
这个推荐清单里并没有休伊特弹奏巴赫的曲目，估计是与她的平均律评为四星带花有关，在这里补充上。

joseph_li

COWARD, Noël (1899–1973)
‘I went to a marvellous party’: 45 Songs (1928–56) from: Parisian Pierrot; On with the Dance; This Year of Grace; Lorelei; World Weary; Bitter Sweet; Private Lives (including 2 spoken love scenes with Gertrude Lawrence); Cochran’s 1931 Revue; The Third Little Show; Cavalcade; Words and Music; Conversation Piece; Don’t Put Your Daughter on the Stage; Tonight at 8.30; We were Dancing; Operette; The Stately Homes of England; Where are the Songs we Sung?; Dearest Love. Wartime Songs: London Pride; Could you please oblige us with a Bren Gun; Don’t let’s be beastly to the Germans. JEROME KERN: The Last Time I saw Paris; I’m Old-fashioned. COLE PORTER: You’d be so nice to come home to. From 1945 onwards: Songs from: Sigh No More; Pacific 1860; Ace of Clubs; The Globe Revue. Cabaret Songs: Alice is at it again; Time and again; A bar on the Piccola Marina. COLE PORTER: Let’s do it, Let’s fall in love
Nim. Retrospective (ADD) mono RTS 4168 (2). Noël Coward, with Carol Gibbons (piano and with his orchestra) and various other orchestras

This treasurable collection compiled by Ray Crick and splendidly remastered by Alan Bunting is a total joy, bringing the ‘Master’, as Noël was known in the theatre, totally to life, his unique vocal personality vividly projected by the superb transfers here. Indeed the recordings, made over three decades, are astonishing in their presence and the way they capture his whimsicality, clear enunciation and sonorous, yet well-focused baritone. Perhaps the most celebrated excerpts are spoken – the two infinitely memorable dialogues with Gertrude Lawrence in the finest of all his plays, Private Lives, which also includes the enchantingly nostalgic ‘Someday I’ll find you’. But so many numbers here are sentimentally indispensable, including ‘I’ll follow my secret heart’, the touchingly patriotic ‘London Pride’ and, of course, ‘I’ll see you again’ from Bitter Sweet – a show that urgently needs a revival. The silly songs, ‘Mad Dogs and Englishmen’ and ‘A bar on the Piccola Marina’, and a unique version of Cole Porter’s ‘Let’s fall in love’, with new words, are no less endearing. Accompaniments are wonderfully stylish and there is excellent documentation. A pair of discs not to be missed on any account.

这张珍贵的合集由雷·克里克编纂，艾伦·邦廷精心修复，堪称完美之作，将诺埃尔·诺埃尔在剧院的绰号“大师”赋予了生命，他独特的嗓音个性通过精湛的转制得到了淋漓尽致的展现。事实上，这张历经三十余年制作的录音，其精湛的制作工艺令人叹为观止，完美地捕捉了他天马行空的想象力、清晰的吐字以及洪亮而专注的男中音。或许其中最著名的选段是朗诵的——在他最杰出的戏剧作品《私人生活》中，与格特鲁德·劳伦斯的两段令人难忘的对话，以及那首令人回味无穷的怀旧歌曲《总有一天我会找到你》。但专辑中还有很多歌曲在情感上不可或缺，包括《我将追随我内心的秘密》、感人至深的爱国歌曲《伦敦骄傲》，当然还有《苦乐参半》中的《我会再见到你》——这部剧亟需复兴。那些傻傻的歌曲，《疯狗和英国人》和《皮科拉码头上的酒吧》，以及科尔·波特的《让我们坠入爱河》的独特版本，虽然歌词新颖，却依然令人动容。伴奏非常时尚，录音也非常出色。无论如何，这两张唱片都不容错过。
（源于Google翻译）


常规途径都找了，没找到。Dobuz上虽然找到了，但是昨天开始DoubleDouble下载不了Dobuz的资源，等几天再试吧。

joseph_li

CRUSELL, Bernhard (1775–1838)
Clarinet Concertos: in E flat, Op. 1; in F min., Op. 5; in B flat, Op. 11
BIS-SACD1723. Fröst, Gothenburg SO, Kamu

Here is another example of a largely unknown composer who has been revived through recordings of his music. The Swedish clarinettist Bernhard Crusell was considered a supreme virtuoso/composer of his time and he left us three highly appealing and very tuneful concertos for his instrument. They are most elegantly played by the young Swedish clarinettist, Martin Fröst, and the fine Gothenburg orchestra under Okko Kamu. There have previously been excellent versions by Emma Johnson (ASV), by Antony Pay on a period instrument (Virgin), and dazzling virtuoso accounts by Kari Kriikku (Ondine). All are highly enjoyable, but this new BIS SACD seems to trump the others (except perhaps for Emma Johnson). Strongly recommended.

以下是另一位因作品录音而重获关注的冷门作曲家典范。瑞典单簧管演奏家伯恩哈德·克鲁塞尔（Bernhard Crusell）在其所处时代被公认为技艺超群的演奏家兼作曲家，他为世人留下了三首极具感染力、旋律优美的单簧管协奏曲。这些作品由瑞典青年单簧管演奏家马丁·弗罗斯特（Martin Fröst）与奥科·卡穆（Okko Kamu）指挥的哥德堡交响乐团合作，演绎得尤为优雅精致。此前已有多个出色版本：艾玛·约翰逊（ASV唱片）、安东尼·佩使用古乐器演绎的版本（Virgin唱片），以及卡里·克里库（Ondine唱片）令人目眩的炫技演绎。这些版本皆各具魅力，但BIS唱片公司新推出的这张SACD似乎更胜一筹（或许唯有艾玛·约翰逊版本可与之比肩）。强烈推荐收藏。
（源于DeepSeek翻译）

https://115cdn.com/s/sww7o3s3hq9?password=3377&#
Crusell, Bernhard & Weber - Clarinet Concertos - Anthony Pay, Orchestra Of The Age Of Enlightenment [Virgin]等4个文件(夹)
Emma Johnson这张评为企鹅三四星带花

joseph_li

CURZON, Clifford (piano)
Decca recordings, Volume 2: 1941–72: SCHUBERT: 4 Impromptus, D.899; Piano Sonata 21 in B flat, D.960. MOZART: Piano Concertos 23 in A, K.488; 24 in C min., K.491 (with LSO, Krips). BRAHMS: Piano Concerto 1 in D min., Op. 15 (with Concg. O, Beinum). Piano Sonata 3 in F min.,Op. 5; Intermezzi: in E flat, Op. 117/1; in C, Op. 119/3. GRIEG: Piano Concerto in A min., Op. 16 (with LSO, Fistoulari). DVOŘÁK: Piano Quintet in A, Op. 81. FRANCK: Piano Quintet, in F min. (with VPO Qt)
Decca (ADD) mono/stereo 475 084-2 (4)

This treasurable second anthology, which won the Gramophone ‘Historical Instrumental Award’ in 2003, surveys some of the very finest Clifford Curzon recordings for Decca made over three decades, including the early Schubert Impromptus (1941) and the remarkably beautiful performances of the two Mozart piano concertos, K.488 and K.491 (1953), with Josef Krips. Curzon was to record them again later in stereo, but the C minor (No. 24) in particular, with its exquisite Larghetto, remains very special. It appears here in its first international CD release. Curzon was also to record the Brahms and Grieg concertos again in stereo, the Brahms famously with Szell in 1962, but the earlier account with Van Beinum, if different in character, less pungently arresting, more warmly relaxed, brings the music’s nobility out, especially in the slow movement. With the Grieg, Fistoulari proved a volatile partner, and again the slow movement is memorable, although in this instance the later, stereo version with Fjelstad brought out a specially idiomatic character to the orchestral playing. Both these earlier performances (from 1951) are also appearing on CD for the first time. In chamber music, Curzon’s playing was no less magnetic, and the stereo coupling of the seductive Dvořák and Franck Piano Quintets was another landmark: the stereo recordings, made in the Sofiensaal (in the early 1960s), still sound very impressive. But it is the Brahms and Schubert Sonatas that sum up perfectly all that is uniquely cherishable in Curzon’s art. The playing has great humanity and freshness. Both interpretations are totally spontaneous-sounding; yet in the Brahms, despite the underlying intensity, nothing is over-stated. And in the Schubert (as with the Impromptus) detail is finely drawn but never emphasized at the expense of the architecture as a whole. The stereo recording too is first class and balanced most naturally. A set which is not to be missed.

这部珍贵的第二辑选集收录了克利福德·柯曾为迪卡唱片公司历时三十载录制的精华之作，包括1941年早期录制的舒伯特《即兴曲》及1953年与约瑟夫·克里普斯合作的两部莫扎特钢琴协奏曲（K.488与K.491）——那尤为动人的演绎令该专辑荣获2003年《留声机》"历史乐器大奖"。其中《C小调第二十四协奏曲》那精妙绝伦的广板乐章更显非凡，此番系该录音首度全球发行CD版本。柯曾虽后续以立体声技术重录了布拉姆斯与格里格协奏曲（1962年与塞尔合作的布拉姆斯版本尤为著名），但早年与范·贝纳姆合作的演绎却呈现出别样魅力：少了几分锐利张扬，多了几分温暖从容，尤其在慢板乐章中尽显乐曲的雍容气度。与菲斯托拉里合作的格里格协奏曲则迸发着激烈火花，慢板乐章同样令人难忘，不过后来与菲耶尔斯塔特合作的立体声版本更凸显了乐团演奏的地道风味。这两部1951年的早期录音亦属首次CD化面世。

在室内乐领域，柯曾的演奏同样充满魔力——早期立体声时期录制的德沃夏克与弗兰克《钢琴五重奏》堪称里程碑之作（1960年代初录制于索芬音乐厅），其音效至今仍令人惊叹。但真正凝练柯曾艺术精髓的，当属布拉姆斯与舒伯特奏鸣曲。这些演绎洋溢着深厚的人文关怀与清新气息：布拉姆斯奏鸣曲在保持内在张力的同时毫无矫饰，舒伯特奏鸣曲（如同《即兴曲》般）精雕细琢却从不因细节牺牲整体结构。立体声录音效果亦属一流，音场平衡浑然天成。这套堪称艺术瑰宝的专辑，绝不容错过。
（源于DeepSeek翻译）


https://115cdn.com/s/sww7ong3hq9?password=3377&#
Curzon, Clifford - Decca Recordings Vol.1-4

joseph_li

DEBUSSY, Claude (1862–1918)
Volume 1: Berceuse héroïque; Images; Jeux; Marche écossaise; La Mer; Musiques pour le Roi Lear; Nocturnes; Prélude à l’après-midi d’un faune; Printemps. Volume 2: La Boîte à joujoux; Children’s Corner (orch. Caplet); Danse (orch. Ravel); (i) Danses sacrée et profane. (ii) Fantaisie for Piano & Orchestra; La plus que lente; Khamma; Petite Suite (orch. Büsser); (iii) Première rapsodie for Clarinet & Orchestra; (iv) Rapsodie for Saxophone
EMI Gemini (ADD) Vol. 1: 3 65235-2 (2); Vol. 2: 3 65240-2 (2). Fr. R. & TV O, Martinon; with (i) Jamet; (ii) Ciccolini; (iii) Dangain; (iv) Londeix

There have been many exceptional recordings of Debussy’s orchestral music over the years, but for sheer value for money it is hard to beat Martinon’s excellent survey from the 1970s, both for its overall quality and its comprehensiveness. Martinon’s is a very good Images, beautifully played, with the orchestral detail vivid and glowing. Jeux is also very fine, with the sound attractively spacious. La Mer enjoys the idiomatic advantage of fine French orchestral playing, even if it does not quite match Karajan or Haitink. The Musiques pour le Roi Lear is a real rarity; the colourful Fanfare remains impressive and Le Sommeil de Lear is highly evocative. The Nocturnes are beautifully played, as indeed is Printemps, with Martinon penetrating its charm. Children’s Corner and La Boîte à joujoux contain much to enchant the ear, as does the tuneful Petite Suite. A great rarity here is Khamma. This and the two Rapsodies are underrated and, although there are alternative versions of all these pieces, none is more economically priced. The performances are sympathetic and authoritative, and the recordings have been remastered successfully. The sound is full and spacious, with an attractive ambient glow. A bargain.

多年来，德彪西管弦乐的录音屡获殊荣，但就性价比而言，马丁农20世纪70年代的优秀作品很难超越，无论是整体质量还是内容的全面性。马丁农的《意象》非常出色，演奏优美，管弦乐细节生动活泼。《游戏》也非常出色，音色开阔，引人入胜。《大海》拥有法国管弦乐演奏的地道优势，即使它无法与卡拉扬或海廷克相比。《李尔王的音乐》实属难得；色彩绚丽的《号角》依然令人印象深刻，《李尔王的梦》也极具感染力。《夜曲》演奏优美，《春》也同样精彩，马丁农的演奏将其魅力展现得淋漓尽致。《儿童角》和《玩具盒子》以及旋律优美的《小组曲》都令人耳目一新。《卡玛》也是这里难得一见的珍品。这部作品和两首狂想曲都被低估了，虽然所有这些作品都有其他版本，但没有哪部作品比它更经济实惠。演奏充满感染力，权威性十足，录音也成功进行了重新制作。音色饱满开阔，氛围光彩夺目。物超所值。（源于Google翻译）

https://115cdn.com/s/sww7oau3hq9?password=3377&#
Debussy & Ravel - Orchestral Works - Jean Martinon [EMI]等2个文件(夹)
与前面两张同样的原因，这两个小双张暂时弄不下来。不过这个小包前4张刚好就是。

joseph_li

Fantaisie for Piano & Orchestra
Chan. CHSA 5084. Bavouzet, BBC SO Y. P. Tortelier (with MASSENET: 2 Impromptus; 2 Pièces pour piano; Toccata; Valse folle) – RAVEL: Piano Concertos

This is simply one of the finest records of French piano music in the catalogue. Jean-Efflam Bavouzet has already given us unsurpassed accounts of Debussy’s solo piano music, and here he turns to the little-known Fantaisie for Piano and Orchestra. It is an early work, cyclic in inspiration, but it has many hints of his later music, and its poise and refinement are matched by orchestration which is both colourful and subtle. The central slow movement is delicately poetic, and the brilliant finale also has a beautiful slow interlude. Bavouzet and Tortelier have the work’s full measure and play it to perfection, helped by Chandos’s really first-class recording. The Massenet miniatures are equally rewarding and, as Bavouzet comments in his note, ‘their tenderness, not to mention their eccentricities, possess an engaging, if slightly old-fashioned charm’. There is brilliant virtuosity too, not least in the Toccata.

这无疑是目录中最优秀的法国钢琴音乐唱片之一。让-埃夫拉姆·巴武泽（Jean-Efflam Bavouzet）早已为我们呈现了德彪西钢琴独奏作品的精彩演绎，而此次，他则将目光转向了鲜为人知的《钢琴与管弦乐幻想曲》。这部早期作品灵感循环，但也透露出许多德彪西后期作品的影子，其沉稳精致的音色与色彩缤纷、细腻精妙的配器相得益彰。中央慢乐章充满诗意，辉煌的终曲中也穿插着一段优美的慢间奏。巴武泽和托特里耶充分发挥了这部作品的精髓，在钱多斯一流录音的加持下，演奏得炉火纯青。马斯奈的小品也同样令人回味无穷，正如巴武泽在笔记中所说：“它们的柔情，更不用说它们的奇特之处，都蕴含着一种引人入胜、略带复古气息的魅力。”此外，这部作品也展现了精湛的技艺，尤其是在《托卡塔》中。
（源于Google翻译）

https://115cdn.com/s/sww7ofo3hq9?password=3377&#
Debussy & Massenet & Ravel - Works for Piano & Orchestra - Jean-Efflam Bavouzet, Y. P. Tortelier, BBC SO [Chandos 24-96]等2个文件(夹)

joseph_li

joseph_li 发表于 2025-6-21 19:02
COLLINS, Anthony (1893–1963)
Eire; Festival Royal – Overture; The Lady with a Lamp; Louis XV Silh ...

第299楼资源

https://115cdn.com/s/sww77nh3hq9?password=3377&#
Collins, Anthony - Vanity Fair - BBC Concert Orchestra [Dutton]

joseph_li

joseph_li 发表于 2025-6-22 23:51
DEBUSSY, Claude (1862–1918)
Volume 1: Berceuse héroïque; Images; Jeux; Marche écossaise; La ...

补317楼两个双张

https://115cdn.com/s/sww776m3hq9?password=3377&#
Debussy - Orchestral Works (Vol.1) - Jean Martinon [Warner]等2个文件(夹)