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本帖最后由 jimguo 于 2021-8-8 16:38 编辑
听音笔记……
捷克次女高音
Magdalena Kožená - 考杰娜 1973
- 声音很美的一位美声女高音。网上片源超多。
Magdalena Kozena. Bach Arias - 1997, FLAC
a7cc2844f203b4f5434accaf4c2577ad5e98e421
Magdalena Kozena - Le Belle Immagini - 2001 (Mozart, Gluck, Myclivecek), FLAC
befbdf1d43cd858f759f65e234509df574d2a518
(Brian Asawa, John Mark Ainsley, Magdalena Kozena, Lynne Dawson, Charlotte Hellekant
Handel - Messiah [2CD's] (FLAC)
7f4827a6a440e3edc0a85985b004bf5afd0449aa
捷克出生的次女高音歌唱家玛格德莱娜·考杰娜是近年来活跃于乐坛的一颗红星，学生时代她便赢得了捷克国家古典音乐大赛和第六届莫扎特国际声乐比赛冠军，后曾在布尔诺歌剧院和维也纳国家歌剧院参加演出。1998年秋季起，她开始有计划地举行一系列独唱音乐会。她与DG唱片公司的“结缘”也纯属偶然。一次唱片公司的主管在审听捷克巴洛克合唱团录音时，被在其中担任独唱的考杰娜的优美嗓音迷住了，立即找到她，在进一步的试听之后与她签下录音合约，陆续为她推出了多张唱片。那之后，她的表现不负众望，先后两次捧回权威的《留声机〕大奖和“格莱美”大奖，得到古典乐坛的更多关注。这几年间，她又因与指挥家西蒙拉特尔的恋情而成为公众的焦点。巴洛克时期的声乐作品一向为考杰娜所钟爱。
Magdalena Kožená’s international career was securely established during her mid-twenties. The Czech Soprano, who won critical plaudits for her profound musicianship and beguiling artistry at an early age, signed an exclusive recording contract with Deutsche Grammophon in 1999. Kožená has since matured to become one of the foremost singers of her generation, a great communicator able to hold song recital, concert hall and opera audiences spellbound. Her insightful interpretations arise from a profound feeling for words and their meaning and total immersion in each work in her wide-ranging repertoire.
Magdalena Kožená was born in the Czech city of Brno on 26 May 1973. She sang with Kantiléna, the Brno Philharmonic Orchestra’s youth choir, and progressed to study voice and piano at the Brno Conservatory. In 1991 Kožená enrolled at Bratislava’s Academy of Performing Arts to study singing with Eva Bláhová. She made her breakthrough as winner of the Sixth International Mozart Competition in Salzburg in 1995, joined the Vienna Volksoper ensemble the following year, and launched significant creative partnerships with the pianist Graham Johnson and conductor Marc Minkowski in 1998. She was signed by Deutsche Grammophon in 1999 and immediately released her first album of Bach arias on its Archiv label. Her recital debut recording with Graham Johnson, an album of songs by Dvořák, Janáček and Martinů, appeared on Deutsche Grammophon’s yellow label in 2001 and was honoured with Gramophone’s Solo Vocal Award.
Kožená has worked with many of the world’s leading conductors, Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Sir John Eliot Gardiner, Bernard Haitink, Nikolaus Harnoncourt, Mariss Jansons, James Levine, Sir Charles Mackerras, Sir Roger Norrington and Sir Simon Rattle among them. Her list of distinguished recital partners includes the pianists Daniel Barenboim, Yefim Bronfman, Malcolm Martineau, András Schiff and Mitsuko Uchida, with whom she has performed at such prestigious venues as Carnegie Hall, Wigmore Hall, Alice Tully Hall and the Amsterdam Concertgebouw, and at the Aldeburgh, Edinburgh and Salzburg festivals. Kožená’s understanding of historical performance practices have been cultivated in collaboration with outstanding period-instrument ensembles, including the English Baroque Soloists, the Gabrieli Consort and Players, Il Giardino Armonico, Les Musiciens du Louvre, the Orchestra of the Age of Enlightenment and the Venice Baroque Orchestra. She is also in demand as soloist with the Berlin, Vienna and Czech Philharmonics and the Cleveland, Philadelphia and Royal Concertgebouw Orchestras. In 2014 she will perform Bach’s St John Passion at the Baden-Baden Festspielhaus with the Berliner Philharmoniker and Rattle and join the orchestra and conductor for an extensive autumn tour of Bach’s St Matthew Passion, including performances at the Lucerne Festival and Carnegie Hall.
During the early 2000s Kožená established her reputation as an opera singer of the front rank. She brought charisma, glamour and vocal authority to her onstage interpretations of roles in the operas of Mozart, making her debut at the Salzburg Festival in 2002 as Zerlina in Don Giovanni and joining Simon Rattle the following year for a series of performances as Idamante at the Salzburg Easter Festival, the Glyndebourne Festival and in Berlin and Lucerne. Kožená made her first appearance at New York’s Metropolitan Opera in 2003 as Cherubino in Mozart’s Le nozze di Figaro and has been a regular guest at the Met ever since. She sang Zerlina for the company’s tour to Japan in 2006 and returned to New York to take the title-role in Jonathan Miller’s production of Debussy’s Pelléas et Mélisande in 2010/11. Her opera credits also include Angelina in Rossini’s La Cenerentola (Royal Opera House, 2007), Oktavian in Richard Strauss’s Der Rosenkavalier (Berlin Staatsoper, 2009), Lazuli in Chabrier’s L’étoile (Berlin Staatsoper, 2010), and the title-role in Bizet’s Carmen (Salzburg Easter and Summer Festivals, 2012).
Her latest release on the DG label is, Prayer (issued in April 2014), and comprises of works for voice and organ, blending sacred songs by Bach, Bizet, Dvořák, Duruflé, Purcell, Ravel and Verdi with Lieder by Schubert and Wolf. Her albums also include a recital of songs by Britten, Ravel, Respighi, Schulhoff and Shostakovich; Songs My Mother Taught Me, an anthology of Czech songs made in company with Malcolm Martineau; two recordings of arias by Handel and Vivaldi with the Venice Baroque Orchestra and Andrea Marcon; a collection of French opera arias with the Mahler Chamber Orchestra and Minkowski; Mahler’s DesKnaben Wunderhorn with Christian Gerhaher, the Cleveland Orchestra and Boulez; and Love and Longing, a programme of orchestral songs by Ravel, Dvořák and Mahler with the Berliner Philharmoniker and Rattle. She was named Artist of the Year by Gramophone in 2004 and has won numerous other awards since, including the Echo Award, Record Academy Prize, Tokyo, and Diapason d’or. Kožená was appointed a Chevalier de l'Ordre des Arts et des Lettres by the French government in 2003 for her services to French music.
考杰娜Magdalena Kožená 的国际职业生涯在她二十多岁的时候就确立了。这位捷克女高音早年就凭借深厚的音乐才能和迷人的艺术赢得了评论界的喝彩，并于 1999 年与德国留声机公司签订了独家录音合同。是能够举办歌曲独奏会、音乐厅和歌剧观众的艺术传播者。她富有洞察力的诠释源于对歌词含义的深刻感受以及对她广泛曲目中每部作品的深入。
考杰娜Magdalena Kožená 于 1973年 5月 26日出生于捷克布尔诺市。在布尔诺爱乐乐团的青年合唱团 Kantiléna唱歌，同时在布尔诺音乐学院学习声乐和钢琴。 1991年，Kožená 进入布拉迪斯拉发表演艺术学院，跟随 Eva Bláhová 学习声乐。 1995年她在萨尔茨堡第六届国际莫扎特比赛中获得突破，次年加入维也纳人民歌剧院乐团，并于1998年与钢琴家格雷厄姆·约翰逊和指挥家马克·明科夫斯基建立了重要的创意合作伙伴关系。 1999年，Archiv 唱片发行了她的第一张巴赫咏叹调专辑。她与格雷厄姆·约翰逊 (Graham Johnson) 合作的首张独奏唱片，收录了 Dvořák、Janáček 和 Martinů 的歌曲专辑，2001年由德意志留声机录制了黄色标签唱片，并获得了留声机独唱奖。
考杰娜曾与许多世界知名指挥家合作，其中包括克劳迪奥·阿巴多、皮埃尔·布列兹、古斯塔沃·杜达梅尔、约翰·艾略特·加德纳爵士、伯纳德·海廷克、尼古拉斯·哈农库特、马里斯·杨松斯、詹姆斯·莱文、查尔斯·麦克拉斯爵士、罗杰·诺灵顿爵士和西蒙·拉特爵士。她的独奏合作伙伴包括钢琴家丹尼尔·巴伦博伊姆、叶菲姆·布朗夫曼、马尔科姆·马蒂诺、安德拉斯·希夫和内田光子。考杰娜曾在卡内基音乐厅、威格莫尔音乐厅、爱丽丝·塔利音乐厅和阿姆斯特丹音乐厅等著名场所演出，并活跃在奥尔德堡、爱丁堡和萨尔茨堡音乐节。
考杰娜Kožená 对艺术的深刻理解也是和许多杰出的演奏家与合奏团的合作中逐渐培养的，包括英国巴洛克独奏家、Gabrieli Consort and Players、Il Giardino Armonico、Les Musiciens du Louvre、启蒙时代管弦乐团和威尼斯巴洛克乐团乐队。柏林、维也纳和捷克爱乐乐团以及克利夫兰、费城和皇家音乐厅管弦乐团都需要她担任独唱家。 2014年，她与柏林爱乐乐团和西蒙拉特一起在巴登-巴登音乐厅演出巴赫的圣约翰受难曲，并与管弦乐队和指挥一起进行巴赫的圣马太受难曲秋季巡演，包括在卢塞恩音乐节和卡内基音乐厅的演出。
在 2000年代初期，考杰娜Kožená 确立了她作为一流歌剧歌手的声誉。她在舞台上对莫扎特歌剧角色的演绎带来了魅力。2002年考杰娜在萨尔茨堡音乐节上首次亮相在唐璜中的泽琳娜，并于次年加入指挥家西蒙拉特的演出，在伊达曼特在萨尔茨堡音乐节上的一系列表演合作，活跃在萨尔茨堡复活节、格林德伯恩节以及柏林和卢塞恩。 考杰娜Kožená 于 2003年首次在纽约大都会歌剧院出演莫扎特的《费加罗之夜》中的凯鲁比诺，此后一直是大都会歌剧院的常客。 2006年，她在日本巡演中演唱了 Zerlina。并于 2010/11年回到纽约，在乔纳森·米勒 (Jonathan Miller) 制作的德彪西 (Debussy) 的《佩利亚斯与梅丽桑德》(Pelléas et Mélisande) 中担任主角。她的歌剧作品还包括罗西尼的 La Cenerentola（皇家歌剧院，2007年）中的安吉丽娜、理查德·施特劳斯的《玫瑰骑士》中的 Oktavian（柏林国家歌剧院，2009年）、夏布里埃的《L'étoile》中的 Lazuli（柏林国家歌剧院，2010年），以及比才的《卡门》（萨尔茨堡复活节和夏季音乐节，2012年）。
她在 DG的最新唱片是 Prayer（2014年 4月发行）。由声乐和风琴作品组成，融合了巴赫、比才、德沃夏克、杜鲁弗莱、珀塞尔、拉威尔和威尔第的神圣歌曲以及舒伯特和沃尔夫的 Lieder。她的专辑还包括布里顿、拉威尔、雷斯皮吉、舒尔霍夫和肖斯塔科维奇的歌曲独奏会； Songs My Mother Taught Me，是与马尔科姆·马蒂诺 (Malcolm Martineau) 合作制作的捷克歌曲选集；亨德尔和维瓦尔第与威尼斯巴洛克管弦乐团和安德里亚·马孔合作录制的两张咏叹调；与马勒室内乐团和闵可夫斯基合作的法国歌剧咏叹调合集；马勒的DesKnab。
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发表于 2021-8-2 00:33
