Penguin Guide to 1000 Finest Classical Recordings - Must-Have CDs and DVDs

joseph_li

Symphonies 1 in C, Op. 21; 2 in D, Op. 36
Pentatone Surround Sound SACD PTC 5186 118. ASMF, Marriner

Although the atmosphere of the eighteenth century is still apparent in his first two symphonies, Beethoven made his immediate break away from tradition by opening the First with a discord. Not a very pungent discord, it is true, and it is immediately resolved. But it serves to establish the way forward.

Marriner presents both symphonies with a Mozart-sized orchestra. The result is lithe and fresh and with plenty of character. Dramatic contrasts are powerful, yet the music’s proper scale is retained and the result is completely satisfying. The 1970 recordings were originally made in quadraphony, and the result on SACD is of remarkably realistic quality with a natural balance for the strings, to make a splendid introduction to this repertoire.

尽管十八世纪的氛围在他的前两部交响曲中依然清晰可见，但贝多芬却以不和弦乐开场，一举打破了传统。诚然，这不和弦乐并不刺耳，而且很快就得到了解决。但它却为之后的创作奠定了基础。

马里纳为这两部交响曲配备了一支堪比莫扎特规模的管弦乐队。其效果轻盈清新，个性鲜明。戏剧性的对比强烈，但音乐的固有音阶却得以保留，最终效果令人满意。1970年的录音最初以四声道录制，SACD的音质非常逼真，弦乐的平衡自然，为这套曲目的呈现锦上添花。

Symphonies 3 in E flat (Eroica), Op. 55; 6 in F (Pastoral), Op. 68; 8 in F, Op. 93; Overtures: Coriolan; Creatures of Prometheus; Egmont; Fidelio
EMI Gemini 3 71462-2 (2). LPO, Tennstedt

Tennstedt’s outstanding and unerringly paced account of the Eroica derives from a 1991 performance in the Royal Festival Hall, and it has the true hallmark of a live occasion, natural spontaneity and gripping tension throughout. Nos. 6 and 8 were recorded at Abbey Road between 1984 and 1986. The fresh, alert, yet imaginative performance of the Pastoral brings a radiant reading of the finale, with beautiful string playing from the LPO. The Eighth is an equally enjoyable reading, in which the second-movement Allegretto is made into a Scherzo and the Minuet is spaciously lyrical. The overtures are all vividly dramatic. Altogether an unmissable bargain set for Tennstedt admirers, and a splendid general recommendation.

滕施泰特对《英雄交响曲》的出色演绎，节奏精准，源自1991年在皇家节日音乐厅的演出，其现场演出的标志性特点是自然流畅、自发性强，且始终扣人心弦。第六和第八交响曲于1984年至1986年间在艾比路录音室录制。田园交响曲的演绎清新灵动，富有想象力，终乐章的演绎光彩夺目，伦敦爱乐乐团的弦乐演奏优美动听。第八交响曲的演绎同样令人愉悦，第二乐章的小快板被改编成谐谑曲，小步舞曲则气势恢宏，抒情悠扬。序曲也都生动活泼，充满戏剧张力。总而言之，对于滕施泰特的爱好者来说，这是一套不容错过的超值套装，强烈推荐。

Symphony 4 in B flat, Op. 60
Testament SBT 1430. BPO, Karajan – R. STRAUSS: Ein Heldenleben

Karajan’s Beethoven Fourth was recorded when the Berlin Philharmonic came to London in 1985. Its excellence speaks for itself and the coupling is equally memorable.

卡拉扬的贝多芬第四交响曲是1985年柏林爱乐乐团来到伦敦时录制的，其优秀不言而喻，交响曲的结合也同样令人难忘。
（源于Google翻译）

https://115cdn.com/s/swwsarm3hq9?password=3377&#
Beethoven - Symphonies No.1 & 2 - Neville Marriner, ASMF [Pentatone]等3个文件(夹)
卡拉扬Testament 1985版 贝四评为四星带花，我只有CD版，没收到SACD。

joseph_li

Symphonies 5 in C min., Op. 67; 7 in A, Op. 92
DG (ADD) SACD 471 630-2 or 447 400-2. VPO, Carlos Kleiber

A justly famous coupling that stretches back to the LP era. In Carlos Kleiber’s hands the first movement of the Fifth is electrifying, yet still has an underlying hushed intensity. The slow movement is tender and delicate; then, after a Scherzo in which the horns are superbly arresting, the finale emerges into pure daylight. In the Seventh the symphonic argument never yields to the charm of the dance. Incisively dramatic, his approach relies on sharp rhythmic contrasts and thrustful rhythms, with the finale racing to its conclusion with great impetus and the horns again dominating the texture.

这对著名的组合可追溯至LP时代。在卡洛斯·克莱伯的手中，第五交响曲的第一乐章激动人心，却又隐隐透着一种静谧的强度。慢乐章温柔细腻；随后，在一段圆号演奏得极其引人入胜的谐谑曲之后，终乐章便如白昼般清晰可见。在第七交响曲中，交响乐的元素从未屈服于舞曲的魅力。他敏锐的戏剧性手法依赖于尖锐的节奏对比和强劲的节奏，终乐章以强劲的势头奔向尾声，圆号再次主导了乐章的织体。

Symphony 6 (Pastoral); Overtures: Coriolan; Creatures of Prometheus; (i) Egmont Overture and Incidental music: Die Trommel Gerühret; Freudvoll und leidvoll; Klärchens Tod, Op. 84
EMI (ADD) 5 67965-2. Philh. O, Klemperer; (i) with Nilsson

The Pastoral is I.M.’s favourite Beethoven symphony, and he first heard it in 1941 (in abbreviated form) in Walt Disney’s Fantasia, gloriously played by Stokowski and the Philadelphia Orchestra. The swinging melody on which the finale is based is one of the richest that Beethoven (or anyone else for that matter) ever wrote, and in the film the climax accompanies the sun god, Apollo, driving his chariot across the heavens – a spectacularly appropriate visual conception.

This account of the Pastoral stands out among Klemperer’s Philharmonia Beethoven recordings (alongside his live Testament version of the Choral Symphony – SBT 1177). It is famously controversial, with its legendary story of the Scherzo, taken by Klemperer at an unusually relaxed tempo. At the studio rehearsal the record’s celebrated producer, Walter Legge, stopped the performance with the comment, ‘Isn’t that a little slow, Otto?’ ‘You will get used to it,’ was the conductor’s immediate reply, and he continued in measured fashion as before. And indeed, such is the magnetism of the Philharmonia playing that one does indeed get used to it, and the performance overall is memorable for its combination of warmth and drama. The couplings are memorable too, and Birgit Nilsson is in her prime in the Egmont music.

《田园曲》是I.M.最钟爱的贝多芬交响曲，他第一次听到这首交响曲是在1941年，当时是在沃尔特·迪士尼的《幻想曲》中（缩略版），由斯托科夫斯基和费城交响乐团精彩演绎。终曲所基于的摇摆旋律是贝多芬（或者说任何其他人）创作的最丰富的旋律之一，影片的高潮部分伴随着太阳神阿波罗驾驭着他的战车穿越天际——这是一个极其贴切的视觉构思。

这首《田园曲》在克伦佩勒爱乐乐团录制的贝多芬唱片中脱颖而出（与他现场演奏的《约瑟合唱交响曲》——SBT 1177））。这部作品以其谐谑曲的传奇故事而闻名，而克伦佩勒以异常轻松的节奏演奏了这首作品。在录音室排练时，这张唱片的著名制作人沃尔特·莱格（Walter Legge）突然叫停了演出，说道：“奥托，这节奏是不是有点慢？”指挥立即回答道：“你会习惯的。”然后他继续以先前的节奏缓慢演奏。的确，爱乐乐团的演奏魅力十足，让人很容易就习惯了，整场演出温暖而富有戏剧性，令人难忘。乐曲的配器也令人难忘，而比吉特·尼尔森在埃格蒙特音乐中正值巅峰。

Symphony 9 in D min. (Choral), Op. 125 (CD version)
LPO Live 0026. Popp, Murray, Rolfe Johnson, Pape, LPO Ch., LPO, Tennstedt

Klaus Tennstedt’s outstanding Choral Symphony was recorded live in October 1992 at the Royal Festival Hall. Terminally ill as he was, a fact widely known, this made each of his last concerts into an event, which added to tensions. The performance stands comparison with any rival version in the thrusting intensity of the playing, brisk in the first movement with timpani prominent, lilting in the Scherzo (though with no repeats observed), radiant in the slow movement, with the LPO strings at their most mellifluous, and violent at the start of the choral finale, leading to an exceptionally intense and well-coordinated account, with outstanding soloists and chorus. The sound, although on the dry side, is vividly clear.

克劳斯·滕施泰特杰出的合唱交响曲于1992年10月在皇家节日音乐厅现场录制。众所周知，滕施泰特身患绝症，这使得他最后的每场音乐会都成为一场盛事，也增添了现场的紧张感。这场演出在演奏的力度上足以匹敌任何对手：第一乐章节奏轻快，定音鼓突出；谐谑曲轻快悠扬（尽管没有重复）；慢乐章光芒四射，伦敦爱乐乐团的弦乐演奏最为圆润；合唱终曲的开场充满激情，最终形成了一场异常激烈、协调一致的演出，独奏和合唱团都表现出色。声音虽然略显干涩，但却清晰生动。
（源于Google翻译）

https://115cdn.com/s/swwsa153hq9?password=3377&#
Beethoven - Symphonies No.5 & 7 - Carlos Kleiber, VPO [DG SACD]等6个文件(夹)
收了三个小克莱伯的贝交5/7 SACD，可以对比听听。

平和从容

楼主辛苦啦！

Blove0123

选收了一些。辛苦了。谢谢！

joseph_li

Wellington’s Victory (Battle Symphony), Op. 91
Decca (ADD) 475 8508. Cannon & musket fire directed by Gerard C. Stowe, LSO, Dorati (with separate descriptive commentary by Deems Taylor) – TCHAIKOVSKY: 1812 etc.

This most famous of all Mercury records (now released on Decca) was one of the most successful classical LPs of all time, selling some two million copies in the analogue era. Remastered for CD, it sounds even more spectacular than it ever did in its vinyl format, vividly catching Beethoven’s musical picture of armies clashing. The presentation, with excellent documentation, now comes as one of Decca’s ‘Originals’.

这张水星唱片中最著名的一张（现已由Decca发行）是有史以来最成功的古典LP唱片之一，在模拟时代销量约两百万张。经过CD重制，这张唱片的音质比黑胶唱片更加震撼，生动地捕捉到了贝多芬描绘的军队激战的音乐画面。这张唱片拥有出色的录音，如今已成为Decca的“原创作品”之一。

Piano and Wind Quintet in E flat, Op. 16
EuroArts DVD 2072308. James Levine, Ens. Wien-Berlin (with bonus items by Ligeti, Berio, Mozart & Françaix) (V/D Jean-Pierre Ponnelle)

In this coupling of equally inspired works for piano and wind instruments, we used to judge that Mozart scored marginally over Beethoven in felicity in using his simple forces. Not so here. Fine as the Mozart performance is, the Beethoven is even more memorable because of the unforgettably beautiful playing of James Levine, especially in the slow movement, which is presented with Elysian delicacy. In all other respects this is a treasurable performance, splendidly played and recorded, and most realistically videoed.

在这部钢琴与管乐作品同样精彩的结合中，我们过去常常认为莫扎特在运用其简洁力量的娴熟度上略胜贝多芬一筹。但这部作品并非如此。莫扎特的演奏虽然精彩，但贝多芬的演奏却更加令人难忘，因为詹姆斯·莱文的演奏美得令人难忘，尤其是在慢乐章中，它呈现出极乐境界般的细腻。从其他方面来看，这都是一场令人珍视的演出，演奏和录音都十分出色，视频制作也极其逼真。
（源于Google翻译）

《木管五重奏》查了一下，已经出了CD和SACD，都没找到。













https://115cdn.com/s/swwsgzg3hq9?password=3377&#
Beethoven - Wellington's Victory & Tchaikovsky 1812 Overture - Antal Dorati [Mercury]

《战争交响曲》是我自抓，多年前冲着老柴的1812序曲自购。曾经在捌零发过，因为与个别拿着鸡毛当令箭的网管闹得很不愉快，彻底离开了捌零。

joseph_li

Piano Trios: 4 in B flat, Op. 11; 5 in D (Ghost), Op. 70/1; 7 in B flat (Archduke), Op. 97
Ph. (ADD) 464 683-2. Beaux Arts Trio

The Beaux Arts Trio are on top form here and the recording has been given a pleasing bloom by the CD transfers. All three performances are first rate and there is plenty of drama and intensity in the Ghost Trio to ensure that it matches its companions.

美艺三重奏在此处的演绎堪称巅峰状态，CD转录技术更为录音增添了一抹动人的华彩。三首作品的演奏皆属一流水准，尤其《幽灵三重奏》中充沛的戏剧张力与情感强度，使其与另两首杰作相得益彰。

Septet in E flat, Op. 20; Sextet for Wind in E flat, Op. 81b
Hyp. Helios CDH 55189. Gaudier Ens.

The Septet is one of the young Beethoven’s most joyfully carefree inspirations and the Gaudier Ensemble play it with an infectious mixture of elegance and exuberance. The rarer Sextet for two horns and string quartet provides an equally winning coupling. Excellent sound makes this a highly desirable bargain.

这首《七重奏》是青年贝多芬最富欢快自由灵感的作品之一，高迪尔合奏团以优雅与活力并具的演绎令人陶醉。搭配演出的罕见作品《两支圆号与弦乐四重奏六重奏》同样精彩绝伦。出色的录音品质使这张专辑成为极具吸引力的超值之选。

String Trios: 1 in E flat, Op. 3; 3 in G; 4 in D; 5 in C min., Op. 9/1–3; Serenade in D, Op. 8
Hyp. Dyad CDD 22069 (2). Leopold String Trio

The young Beethoven, in preparation for writing string quartets, composed the three Op. 9 String Trios in 1798. They have a winning originality, each well contrasted with the others. The six-movement Opus 3 Trio was composed three years earlier and, with its pair of Minuets framing the central Adagio, appears to have been modelled on Mozart’s Divertimento in the same key. It is most appealing, but the delightful seven-movement Serenade, published in 1797, is even more so. The performances by the Leopold Trio are particularly alive and fresh and the Hyperion recording is remarkably real and vivid.

年轻的贝多芬为创作弦乐四重奏做准备时，于1798年写下了三首Op.9弦乐三重奏。这些作品充满动人的独创性，彼此间形成鲜明对比。更早三年创作的六乐章Op.3三重奏以两首小步舞曲环绕中心的柔板乐章，显然借鉴了莫扎特同调嬉游曲的结构框架。该作已极具魅力，而1797年出版的七乐章《小夜曲》则更显妙趣横生。利奥波德三重奏团的演绎格外鲜活灵动，Hyperion厂牌的录音效果亦异常真实生动。
（源于DeepSeek翻译）

吐个槽，Google翻译水平真不咋地，第一段还出现了明显的错误，DeepSeek甩它几条街，就是在电脑上无法直接操作，有点麻烦。

《七重奏》没找到。





https://115cdn.com/s/swwsgon3hq9?password=3377&#
Beethoven - Complete String Trios - Leopold String Trio [Hyperion]等2个文件(夹)

joseph_li

String Quartets: Vol. 1: 1 in F; 3 in D; 4 in C min., Op. 18/1, 3 & 4; 10 in E flat (Harp), Op. 74; 13 in B flat, Op. 130; 14 in C sharp min., Op. 131 (EMI DVD 3 8567-9); Vol. 2: 2 in G, Op. 18/2; 7 in F (Rasumovsky 1), Op. 59/1; 11 in F min., Op. 95; 12 in E flat, Op. 127; 15 in A min., Op. 132 (EMI DVD 3 8580-9); Vol. 3: 5 in A; 6 in B flat, Op. 18/5 & 6; 8 in E min. (Rasumovsky 2), Op. 59/2; 9 in C (Rasumovsky 3), Op. 59/3; Grosse Fuge in B flat, Op. 133; 16 in F, Op. 135
EMI DVD 3 8592-9. Alban Berg Qt
Decca CD 454 062-2 (10) Italian Qt

The Alban Berg cycle is the only complete DVD cycle to have appeared so far. It was recorded in Salzburg in 1989, a couple of years after the fine LP (and later CD) set which the Alban Berg Quartet made for EMI. In terms of sheer quartet-playing these players are difficult to fault: ensemble is flawless, intonation perfect, and their mastery unimpeachable. The video presentation is totally free from affectation; the vision is straightforward and never draws attention to itself. Some readers may find the dynamic contrasts a shade exaggerated, but most collectors will find much musical satisfaction here.

The fine complete Quartetto Italiano survey, first issued on Philips and superbly stylish, is again available, and is undoubtedly the CD choice of preference for these masterpieces. The latest Philips remastering is most impressive, the sound much smoother than before. Moreover the Second and Third Rasumovsky Quartets, originally recorded quadrophonically, have additionally been reissued on the Pentatone label in very natural surround sound. With tempi perfectly judged and every phrase sensitively shaped, this separate disc is very desirable indeed (Pentatone SACD PTC 5186 176).

The Borodin Quartet’s survey is also deeply felt and their performances, recorded between 2003 and 2006, can also be recommended alongside the very finest of recent years, if not a first choice. Recorded in the Grand Hall of the Moscow Conservatoire, the sound is satisfyingly warm and present (Chan.  10553 (8)) and the presentation is economical.

阿尔班·贝尔格四重奏组的这套全集是迄今唯一发行的完整DVD版本，1989年录制于萨尔茨堡，距他们为EMI灌录那套备受推崇的黑胶（及后续CD）版本仅隔数年。就纯四重奏演绎而言，这群音乐家几乎无懈可击：声部配合天衣无缝，音准精准无瑕，技艺之精湛无可指摘。影像呈现毫无矫饰，镜头语言质朴自然，始终服务于音乐本身。部分听者或许会觉得动态对比略显夸张，但多数藏家必将在此获得丰沛的艺术享受。

意大利四重奏组那套由飞利浦首版发行的经典全集（演绎风格极其精致）现已再度面世，无疑是这些杰作的首选CD版本。最新飞利浦重制技术令人惊叹，音质较旧版更为圆润。更值得一提的是，原以四声道录制的《第二、第三拉祖莫夫斯基四重奏》另由Pentatone厂牌以极具临场感的环绕声再版（Pentatone SACD编号PTC 5186 176）。这张独立碟片速度把控精妙，乐句处理细腻，实属必藏珍品。

鲍罗丁四重奏组2003-2006年的录音同样饱含深情，虽非首选，但其演绎水准足以媲美近年最佳版本。莫斯科音乐学院大厅录制的音效温暖真切（Chandos厂牌Chan. 10553，共8碟），整体呈现亦保持克制。
（源于DeepSeek翻译）

DVD：
https://115cdn.com/s/swwsgqe3hq9?password=3377&#
Beethoven - Complete String Quartets - Alban Berg Quartett [EMI 3х2DVD9]

CD & SACD：
https://115cdn.com/s/swwsgoj3hq9?password=3377&#
Beethoven - Complete String Quartet - Borodin Quartet [Chandos]等4个文件(夹)

langong2004

langong2004

补一套
Thomas Beecham-The Great Communicator 4CD

1DD_0qn3KvX_xU-7nisl_vQ?pwd=6kya

joseph_li

langong2004 发表于 2025-6-3 17:57
补一套
Thomas Beecham-The Great Communicator 4CD

感谢，赞

langong2004

七重奏

1pK8l4c8lYlfJZSn1uhjRbA?pwd=pau4  

xiulok

浩大工程，费神费时费力，辛苦了。非常感谢。

xunianfeng

joseph_li 发表于 2025-6-1 20:37
BANTOCK, Granville (1868–1946)
Caristiona; A Celtic Symphony; Cuchullan’s Lament; The Cyprian God ...

Hyperion的无损
通过网盘分享的文件：Bantock, Granville - Orchestral Music - Vernon Handley, RPO [Hyperion 6CD]
链接: https://***.com/s/1Y1A1RYmEHP2y1b_fxVHpQg?pwd=ybig 提取码: ybig
--来自百度网盘超级会员v7的分享

xzmumaren

众人拾柴火焰高

wpx426

joseph_li 发表于 2025-6-3 17:17
Wellington’s Victory (Battle Symphony), Op. 91
Decca (ADD) 475 8508. Cannon & musket fire directed ...

疫情关在家时在油管上听过视频片段（没找到完整的，不然就弄下来了），确实这帮玩的很快乐，演绎非常棒！后来发现DG的贝多芬全集里选的就是Levine这帮人的版本

武陵渔家

刚看到这个好帖，又是一项浩大繁重的工程。谢谢楼主分享好音乐。

joseph_li

感谢 langong2004 和 xunianfeng 补档，

joseph_li

Piano Sonatas 1–32
EMI DVD 3 68993-9. Daniel Barenboim (with masterclasses including Saleem Abboud Ashkar, Alessio Bax, Jonathan Biss, Shai Wosner, David Kadouch, Lang Lang)

Barenboim’s Beethoven cycle drew full houses and critical accolades in London a few years ago, and this set, deriving from eight concerts in Berlin, is hardly less imposing. This is Beethoven playing of the most impressive artistry and highest accomplishment, displaying a total concentration and profound musical intelligence. In addition to the cycle there are six masterclasses of almost an hour each, in which Barenboim coaches some excellent younger players; Barenboim is extraordinarily illuminating and full of insight, and his generosity of spirit and intuitive understanding are always in evidence. All pianists and music-lovers, whether expert or less knowledgeable, will learn a lot from them – as we have.

几年前，巴伦博伊姆在伦敦的贝多芬系列演出座无虚席，好评如潮，而这套从八场柏林音乐会中精选出来的唱片，同样令人叹为观止。这是贝多芬最具艺术魅力和最高成就的演奏，展现了他全神贯注和深邃的音乐智慧。除了这套唱片，还有六场大师班，每场近一小时，巴伦博伊姆在大师班上指导一些优秀的年轻钢琴家；巴伦博伊姆极富启发性和洞察力，他的精神慷慨和直觉理解总是显而易见的。所有的钢琴家和音乐爱好者，无论是专家还是音乐爱好者，都会从他们身上学到很多东西——正如我们一样。

Piano Sonatas 1–32; Bagatelles, Opp. 119, 126
EMI Classics 5 62700-2 (9). Stephen Kovacevich
Regis (mono) RRC 9016 (9)
Piano Sonatas 8 (Pathétique); 14 (Moonlight); 21 (Waldstein); 23 (Appassionata); 25 in G, Op. 79; 26 (Les Adieux); 29 (Hammerklavier)
EMI Masters 9 65922-2 (2) (from above). Kovacevich
RCA (ADD) SACD 88697 68882-2 (Sonatas 8,14, 23, 26 & 29 only). Rubinstein

The catalogue is rich in Beethoven Piano Sonata cycles – Schnabel, the very first, Ashkenazy (Decca), Kempf’s, Paul Lewis, Gilels and Solomon’s outstanding mono cycle (Regis/9010), RRC, all enjoy legendary status. Stephen Kovacevich recorded his set between 1991 and 2003, and among modern accounts it is difficult to equal, let alone surpass. In terms of artistry and musical wisdom, it ranks alongside Solomon and in authority matches Kempff. Its Hammerklavier and C minor, Op. 111, are both magisterial and eclipse most rivals, while throughout the series the piano sound is wonderfully vivid and fresh. Those wanting a shorter selection of the named sonatas including the Hammerklavier should be happy with the two-disc set in the Masters series

The alternative group is Rubinstein’s very first recording of Beethoven’s Moonlight Sonata and, like the other works on the RCA disc, it dates from the early 1960s. It is an unforgettable account, with an improvisatory feel to the opening movement, which is also felt in Les Adieux. The Pathétique contrasts a youthful zest in the outer movements with an Adagio cantabile of melting simplicity, while the Appassionata has all the surging impetus one could wish for. The master recordings, made in the Manhattan Center, were originally registered in three-track stereo and they have been superbly remastered by John Newton to bring a sense of remarkable realism and presence. This is one of Rubinstein’s very finest records and will give enormous satisfaction.

贝多芬钢琴奏鸣曲全集的版本实在难以胜数——施纳贝尔、阿什肯纳齐（Decca）、肯普夫、保罗·刘易斯、吉列斯以及所罗门的优秀单集（Regis/9010） RRC，它们都享有传奇般的地位。斯蒂芬·科瓦切维奇于1991年至2003年间录制了这套奏鸣曲，在当代演奏家中，很难有人能与之匹敌，更不用说超越了。在艺术性和音乐智慧方面，它与所罗门并驾齐驱，权威性与肯普夫不相上下。它的《槌子钢琴奏鸣曲》和《C小调奏鸣曲，作品111》都堪称大师之作，令大多数对手望尘莫及，而在整个系列中，钢琴的声音美妙而鲜活。对于那些想要包括《槌子钢琴奏鸣曲》（Hammerklavier）在内的短选奏鸣曲的乐迷来说，大师系列中的两碟装应该是个不错的选择。

另一个版本是鲁宾斯坦对贝多芬《月光奏鸣曲》的首次录音，与RCA唱片上的其他作品一样，它来自20世纪60年代初。这是一个令人难忘的版本，第一乐章带有即兴演奏的感觉，在《告别曲》中也有这种感觉。《悲怆奏鸣曲》在外部乐章中对比了年轻时的热情和融化般简单的柔板，而《热情奏鸣曲》则具有人们所希望的一切澎湃的动力。这些大师级的录音是在曼哈顿中心录制的，最初是3轨立体声，约翰·牛顿（John Newton）进行了出色的重新录制，带来了非凡的真实感和临场感。这是鲁宾斯坦最好的唱片之一，会给你带来巨大的满足感。
（源于微信翻译）

DVD：
https://115cdn.com/s/swwscmq3hq9?password=3377&#
Beethoven - Complete Piano Sonatas (+Masterclasses) - Daniel Barenboim (Live from Berlin 2005) [6 DVD9]

CD：
https://115cdn.com/s/swws0ng3hq9?password=3377&#
Beethoven - Piano Sonatas - Artur Schnabel [EMI]等14个文件(夹)
肯普夫1960s立体声CD是我很久以前自抓，CUE文件可能需要修改一下对应的音频文件名。
春节前发过一次贝多芬钢奏合集，版本实在繁多，连名家版本都听不过来。巴伦博伊姆的贝奏全集已经有蓝光版，某网大概几十块，但是一定要大额充值，不咋划算，没去弄了。

joseph_li

33 Variations on a Waltz by Diabelli, Op. 120
EuroArts DVD 3079238. Stephen Kovacevich (with BACH: Partita 4 in D, BWV 828. SCHUMANN: Kinderszenen, Op. 15)
Onyx CD ONYX 4035 (with BACH: Partita 4)

Stephen Kovacevich first recorded the Diabelli Variations in 1968. Forty years and much experience (including recording the 32 Sonatas and the Concertos) separate it from these newcomers. This extraordinary work explores the virtuosic possibilities of variation form – technical and intellectual – over the most ambitious span, yet always with a profound underlying emotional basis. It is custom built for Kovacevich. Nothing this artist does is less than compelling, and both these masterly new accounts enrich his discography with their sweep and control, and depth of feeling. Both are very well recorded, the EuroArts DVD live at the Verbier Festival, where Martial Barrault’s camera angles achieve a nice balance to catch both an overall picture and a close-up of his hands. Both DVD and CD include equally fine accounts of the Bach Partita, but the DVD offers also a memorably poetic account of Schumann’s Kinderszenen.

斯蒂芬·科瓦切维奇（Stephen Kovacevich）于1968年首次录制了《迪亚贝利变奏曲》（Diabelli Variations）。40年的经验（包括录制32首奏鸣曲和协奏曲）使他与这些新人拉开了距离。这部不可思议的作品探索了变奏曲形式在技术和智力上的可能性，跨越了最宏伟的跨度，但始终具有深刻的情感基础。它是为科瓦切维奇量身定做的。这位艺术家所做的每件事都不乏吸引力，这两首大师级的新作品以其气势、控制力和情感深度丰富了科瓦切维奇的唱片目录。这两张DVD和CD都录制得非常出色，其中一张是欧洲艺术公司（EuroArts）在韦尔比耶音乐节（Verbier Festival）的现场录音，马蒂亚尔·巴拉奥特（Martial Barrault）的镜头角度很好地平衡了整体画面和手的特写。DVD和CD都收录了巴赫的《帕蒂塔》（Partita），但DVD还提供了令人难忘的舒曼《儿时情景》（Kinderszenen）的诗歌般的演绎。

Fidelio (complete, DVD version)
DG DVD 073 4159. Janowitz, Popp, Kollo, Sotin, Jungwirth, Dallapozza, V. State Op. Ch. & O, Bernstein

Beethoven’s Fidelio is a rare opera with a happy ending, celebrating a brave, faithful and loving wife, Leonora, who hopes to save her imprisoned husband (Florestan) from certain death by disguising herself as a young man and seeking employment as the gaoler’s assistant at the prison in which he is held. Her task is made the more practical, since the gaoler’s daughter, Marzelline, falls in love with ‘her’ and the gaoler welcomes the ‘match’. Rescue comes just in time (heralded by the trumpet calls made famous in the Leonora Overture) and the villainous despot (Pizarro) ends up cast into the same cell in which his prisoner has previously languished. The music is powerfully lyrical and includes a moving Prisoners’ Chorus in which the gaoler sympathetically allows the other prisoners briefly to come out of their dungeon cells into the daylight.

Bernstein conducts a classic DVD account of Beethoven’s inspired score with an outstanding cast. This live recording is first class in every way. Gundula Janowitz sings gloriously as Leonora, with Lucia Popp radiant as Marzelline. All the male soloists are firm and clear, each of them at his peak, not least René Kollo as Florestan and Hans Sotin as Pizarro, the villain. The great finale of Act II in particular conveys a rare dedication. The production and sets are impressively realistic.

贝多芬的《费德里奥》是一部罕见的结局圆满的歌剧，颂扬了一位勇敢、忠诚和充满爱的妻子莱奥诺拉，她希望拯救被囚禁的丈夫弗洛雷斯坦（Florestan）免于死亡，于是她化装成一名年轻男子，在关押他的监狱里找到狱卒的助手工作。由于狱卒的女儿玛泽琳（Marzelline）爱上了“她”，狱卒也同意这桩“婚事”，因此莱奥诺拉的任务变得更加实际。救援及时到来（由著名的《莱奥诺拉序曲》中的号角声宣告），恶毒的暴君（皮萨罗）最终被关进了他之前囚禁的牢房。音乐充满强烈的抒情性，包括一首感人的《囚犯合唱》，狱卒同情地允许其他囚犯短暂地走出地牢，来到阳光下。

伯恩斯坦指挥的经典版贝多芬歌剧DVD，演员阵容非常出色。现场录音各方面都是一流的。金杜拉·雅诺维茨（Gundula Janowitz）光彩照人地扮演了莱奥诺拉（Leonora），露西亚·波普（Lucia Popp）光彩照人地扮演了玛泽琳（Marzelline）。所有男高音独唱家都唱得坚定而清晰，每个人都在巅峰状态，尤其是勒内·科洛（René Kollo）扮演的弗勒斯坦（Florestan）和汉斯·索蒂恩（Hans Sotin）扮演的恶棍皮萨罗（Pizarro）。第二幕中伟大的终曲尤其令人难忘。制作和布景非常逼真。
（源于微信翻译）

DVD：
都没找到，科瓦切维奇这个录制于2008年，有点遗憾。《费德里奥》录制于1978年，以当时的画质，只听CD也不错。

CD：
https://115cdn.com/s/swws0523hq9?password=3377&#
Beethoven - Diabelli Variations & Bach - Partita No.4 - Stephen Kovacevich [Onyx]等3个文件(夹)

joseph_li

wpx426 发表于 2025-6-4 09:34
疫情关在家时在油管上听过视频片段（没找到完整的，不然就弄下来了），确实这帮玩的很快乐，演绎非常棒！ ...

嗯，油管用外挂插件下载还挺方便，画质也有保障，不过声音估计就大打折扣了，毕竟文件大小限制在那。